doctorvague wrote:I just noticed Grove added a band notch mode that wasn't on the original.
I've never found notch modes all that useful in the past but on this module with 3 notches + resonance it could be interesting.
To me most notch filters are lacking in a certain way. It is a useful tool like a band reject is for getting rid of certain obnoxious frequencies but why spend hundreds on a multi-mode filter when a good graphic or parametric (or my favorite - Fixed Filter Bank) can do the same?
The thing that is lacking to me is an emphasis or gain parameter. I know this seems like what the resonance would be for but that is more like the traditional "Q" peak is like on a parametric for me. If a notch filter is to be useful, it needs a way of making the band reject (cut) anywhere from mild to pronounced.
Most uses of the notch are better when there is very little to no resonance applied. But if the amount of attenuation is subtle it is hard to hear. I use the Q107 to manage notes that jump out in a sequence but only when I have enough filters left over for the task. I use it as a static filter device in notch mode. No CV or frequency movement, and no resonance so it is really not a VCF anymore in this mode.
The Grove Audio and PolyMoog filter design looks as if the notch would work much better due to control over both gain and emphasis. The latter being like resonance. It will be interesting to hear how the notch mode can emulate an instrument voice. My prediction is it will still be less useful than the band or low/high modes.
I am about 6 modules too big for my system right now. My goal was to get another cabinet and power supply before expanding any more, but the STG sequence suite and now, this filter are to be bought before I can get another cabinet on order. I'm sick with GAS.
-David