Graphic Waveform Generator Model 268e
Graphic Waveform Generator Model 268e
We here at Keen Association, are very proud again to introduce our Graphic Waveform Generator Model 268e, the module we've been designing, experimenting with and improving during last two years.
The main idea is a virtual tape upon which any waveform is drawable, by hand or automatically. Possible everlasting phase-shifting makes the sound vivid and mercurial.
268e is a quad system so the user gets four oscillators, freely configurable. We started to design it as a compliment to our Model 220 but later realised that it fits perfectly in any controller paradigm.
the run is 20 units, as usual
people who interested, please pm me
technical stuff:
The main idea is a virtual tape upon which any waveform is drawable, by hand or automatically. Possible everlasting phase-shifting makes the sound vivid and mercurial.
268e is a quad system so the user gets four oscillators, freely configurable. We started to design it as a compliment to our Model 220 but later realised that it fits perfectly in any controller paradigm.
the run is 20 units, as usual
people who interested, please pm me
technical stuff:
Last edited by traffkin on Wed Jan 08, 2020 7:53 pm, edited 9 times in total.
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i have not read anything on that but it is interesting, will try to find the info.
my idea derived solely from the cardiographic tape i watched once upon a time several years ago
my idea derived solely from the cardiographic tape i watched once upon a time several years ago
Yes Powder wrote:I remember reading some things like ten years ago about something called "scanned synthesis" but didn't see much on it after that.
Is that what this is based on? It seems similar, and really cool!
Here's a paper on it:
https://pdfs.semanticscholar.org/61f4/4 ... c7b45a.pdf
Quite interesting and apparently similar. They use a physical model of a string to generate the wave shape and let the performer manipulate the string in various ways to change the timbre. This quote near the end is perhaps relevant:
https://pdfs.semanticscholar.org/61f4/4 ... c7b45a.pdf
Quite interesting and apparently similar. They use a physical model of a string to generate the wave shape and let the performer manipulate the string in various ways to change the timbre. This quote near the end is perhaps relevant:
I seem to recall there was a Eurorack module a few months ago that claimed to use a variant on scanned synthesis, but certainly nothing so visual as the Keen module.Since the scanning process is independent of the computation of the string shape, it is possible to stop modifying the string shape (freeze the string) but continue scanning and hearing the now unvarying spectrum. The effect is dramatic. Within seconds after the string is frozen, the timbre becomes dull and uninteresting.
thanks, i'll have a look!
cygmu wrote:Here's a paper on it:
https://pdfs.semanticscholar.org/61f4/4 ... c7b45a.pdf
Quite interesting and apparently similar. They use a physical model of a string to generate the wave shape and let the performer manipulate the string in various ways to change the timbre. This quote near the end is perhaps relevant:I seem to recall there was a Eurorack module a few months ago that claimed to use a variant on scanned synthesis, but certainly nothing so visual as the Keen module.Since the scanning process is independent of the computation of the string shape, it is possible to stop modifying the string shape (freeze the string) but continue scanning and hearing the now unvarying spectrum. The effect is dramatic. Within seconds after the string is frozen, the timbre becomes dull and uninteresting.
similar but not the same definitely, i don't have a buffer and can't scan anything out of what is on the screen which is not literally scanned but just played back. when the "tape" stopped the spectrum and phase gets frozen otherwise there's permanents phase shifting. but the idea in the paper is very interesting and promising! thanks again
cygmu wrote:Here's a paper on it:
https://pdfs.semanticscholar.org/61f4/4 ... c7b45a.pdf
Quite interesting and apparently similar. They use a physical model of a string to generate the wave shape and let the performer manipulate the string in various ways to change the timbre. This quote near the end is perhaps relevant:I seem to recall there was a Eurorack module a few months ago that claimed to use a variant on scanned synthesis, but certainly nothing so visual as the Keen module.Since the scanning process is independent of the computation of the string shape, it is possible to stop modifying the string shape (freeze the string) but continue scanning and hearing the now unvarying spectrum. The effect is dramatic. Within seconds after the string is frozen, the timbre becomes dull and uninteresting.